DISC Interiors in LA Times "I want my home to be beautiful, but I don't want it to be precious." DISC Interiors featured in the LA Times!"Many of our clients seek modern furnishings in their Spanish homes," said DISC Interiors. "With the ceiling height and beams, Spanish homes really lend themselves to modern furnishings." Modern touches in Chow's traditional home include brass stick lighting by New York designer Billy Cotton, faux paneling wallpaper in the guest room by Obilis, a custom cloud chandelier by Apparatus in the dining room and a graphic bed and headboard upholstered with Japanese-inspired Templeton fabric. "The eclectic mix includes striking mirrors by Mexico-based Casamidy and modern furnishings by young New York designers like the Egg Collective. Read the entire story here.. DISC Interiors in LA Times "I want my home to be beautiful, but I don't want it to be precious." DISC Interiors featured i... Read more » 5:15 PM
A chance to re-think the California "light and space" movement."I was no longer in the water but rather I was high above the water and looking down upon it. The sky, that had been so grey and lowering, was iridescent with indescribable beauty. Waves of ecstatic and delicate color vibrated around me and lulled me to a sense of peace beyond comprehensions." - Robert Kyle Beggs Case-Book of Astral Projection"I think the descriptions of near-death experience, descriptions of light phenomena in the dream, and in waking ... I don't pretend to have a religious art, but I have to say, it is artists who worked that territory from the very beginning." —James Turrell, 1999 “CLEAR” brings together works by twenty-three contemporary artists exploring subjects reflective, transitory, crystalline, or celestial by traversing concepts of clarity sourced from art history, science, and esotericism. The late 1960s saw the emergence of the California Light and Space Movement, tangential to Minimalism, with protagonists such as James Turrell, Larry Bell, and De Wain Valentine. They created works predicated on the extrasensory potential of light by using the space within and around it as an immersive frame, heightening the viewer’s awareness of the mind-body experience. “CLEAR” imagines a continuation of this narrative, suggesting astral projection—leaving one’s physical body to inhabit an “astral” one—as an endgame. The exhibition explores apertures both material and conceptual, as well as the rich sensibilities that visualize the science and fantasy of aesthetic experience and popular imagination.via Gagosian--------- A chance to re-think the California "light and space" movement. "I was no longer in the water but rather I was high above the... Read more » 7:55 AM
new paths emergingaka"when exterior becomes interior" "The transitions between inside and outside, culture and staged nature, become fluid and transitory – and the progress of the visitor through the museum becomes a central issue. I once had mountains in the palm of my hand Rivers that ran through every day But I must have been mad, never knew what I had 'Til I threw it all away (Madeline Peyroux)1. Olafur Eliasson Riverbed 20.8.2014 - 4.1.2015"Olafur Eliasson's take on Louisiana is radical, fascinating and unique. The central work in the first solo exhibition at the museum by the Danish-Icelandic artist is a huge, sitespecific project that reverses the relation between nature and art. The transitions between inside and outside, culture and staged nature, become fluid and transitory – and the progress of the visitor through the museum becomes a central issue. Eliasson’s exhibition is an enhancement of our gaze at the museum, at ourselves and at the world. Olafur Eliasson's exhibition at Louisiana engages with the museum’s unique identity. The exhibition consists of three sections that each thematize the encounter between Eliasson’s art and Louisiana as a place. The central work, Riverbed (2014), is based on the unique connection between nature, architecture and art that characterizes the museum. Transforming the entire South Wing into a rocky landscape, Eliasson focuses on inhabiting space in a new way and inserts new patterns of movement into the museum. (via here)2. Staircase image, source currently unknown.3. YOU by Urs Fisher :"Urs Fischer has reduced Gavin Brown’s Enterprise to a hole in the ground, and it is one of the most splendid things to have happened in a New York gallery in a while. Experientially rich, buzzing with energy and entropy, crammed with chaos and contradiction, and topped off with the saga of subversion that is central both to the history of the empty-gallery-as-a-work-of-art but also to the Gavin Brown experience itself, this work is brimming with meaning and mojo. It was also a Herculean project.In a very minimalist yet surreal and expressionistic way, You makes space palpable. Initially the chasm dominates your vision and takes over the room, like Magritte’s painting of a giant green apple filling space. As your vision adjusts, your inner ear goes into high gear as you realize that while standing at floor level you’re no longer at the base of the gallery but halfway up the walls. The room transforms into something unmoored, like a Tiepolo or Correggio painting. As you survey everything from this unfamiliar perch, your eye takes over and details come into focus. This I-can-see-everything realism echoes the experience of paintings by Ingres and David. "via here, in 2007. image via here.------------ new paths emerging aka "when exterior becomes interior" "The transitions between inside and outside, culture and staged natu... Read more » 12:56 PM